本視頻教程是由FXPHD機構出品的影視色彩光線調色工藝視頻教程，

FXPHD GRD201 The Craft of Color Grading，

時長：9小時27分，

大?。?.75 GB，

MP4高清視頻格式，

附工程源文件，

語言：英語。

Building upon our successful Craft of Editing series, The Craft of Color Grading looks to explore the world of the colorist and the craft of grading from an application-agnostic approach as much as possible. The lead prof who has helped develop the course is Chicago-based Craig Leffel, who has over 20 years of experience grading the top commercials finished in the city. He'll be helped along the way with some of his friends who are some of the top colorists based in the United States.

The goal of GRD201 is to tap Leffel's and the other colorist's years of experience from both a creative standpoint as well as a practical standpoint. So we'll not only be covering how to make beautiful imagery, but also things such as how to deal with the often-conflicting viewpoints of dealing with divergent views from clients. They'll also be sharing some of their favorite grades they've seen from movies and other projects and critically breaking them down and speaking about why they feel it's top work.

Class 1: Solid foundations. An intro to Craig Leffel's background and approach to the craft of grading. The importance of setting up a solid starting workflow which can then be built upon
Class 2: Continuing the Moving Day grade. Don't jump the gun and begin using advanced features. Get your base imagery correct and sequence balanced before diving into specifics.
Class 3: Finalizing the Moving Day grade. Craig examines windowing and other techniques -- and the reasons and his thoughts behind doing them
Class 4: Old School Tech: We dive into learning about film stocks and film processing. Film might be hanging on for dear life, but clients and others use film references to explain their vision, so this background is critical to know. Optimus colorist Tyler Roth will grade some scenes from Moving Day, attempting to re-create Technicolor looks as well as processes such as bleach bypass and cross processing.
Class 5: Movie references. Clients use references to movies such as Minority Report, Saving Private Ryan, and City of God. Tyler Roth will take a single sequence and grade it a variety of ways, lending his interpretation to these common requests.
Class 6: Guest prof Stu Maschwitz examines storytelling and the craft of grading from the perspective of the indy filmmaker.
Class 7: The Politics of Grading: The reality of being paid to do work is that someone else will also be involved in the creative decision making process. And one of the most difficult things for artists new to the process is managing the various personalities, desires, and motivations of the client. Editor Liz Tate and Craig Leffel sit down to give their insights gleaned over years of working in pressure situations.
Class 8: Craig is back to work on a grade with less than perfect source footage, how to deal with issues of unknown formats and keeping an eye on consistency between shots.
Class 9: A continuation of class 08, and Craig reviews the challenge submissions.
Class 10: In part A Craig shows his approach to grading the New Zealand footage and beauty work. In part B, Craig sits down and answers student questions from the term.

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翻譯軟件翻譯如下：

以我們成功的編輯工藝系列為基礎，色彩分級工藝旨在盡可能地探索調色師的世界以及盡可能采用與應用程序無關的方法進行分級的工藝。幫助開發該課程的首席教授是芝加哥的克雷格·萊菲爾 (Craig Leffel)，他擁有 20 多年對該市頂級廣告進行評級的經驗。一路上他會得到一些美國頂級調色師朋友的幫助。 GRD201 的目標是從創意和實用的角度充分利用 Leffel 和其他調色師多年的經驗。因此，我們不僅會介紹如何制作精美的圖像，還會介紹如何處理客戶不同觀點時經常發生沖突的觀點。他們還將分享他們在電影和其他項目中看到的一些最喜歡的成績，并批判性地分解它們并談論為什么他們認為這是頂級作品。 

第 1 課：基礎扎實。介紹克雷格·萊菲爾 (Craig Leffel) 的背景和分級工藝方法。建立一個可靠的起始工作流程的重要性，然后可以在此基礎上進行構建 

第 2 課：繼續搬家日年級。不要操之過急并開始使用高級功能。在深入研究細節之前，先確?；緢D像正確并平衡序列。 

第 3 課：最終確定搬家日成績?？死赘裱芯苛舜翱诤推渌夹g——以及這樣做的原因和他的想法

第 4 課：老派技術：我們深入學習膠片庫存和膠片處理。電影可能會一直保留下去，但客戶和其他人會使用電影參考來解釋他們的愿景，因此了解這一背景至關重要。 Optimus 調色師泰勒·羅斯 (Tyler Roth) 將對《搬家日》中的一些場景進行調色，嘗試重新創建特藝色彩外觀以及漂白旁路和交叉處理等流程。 

第 5 課：電影參考資料?？蛻粢昧恕渡贁蹬蓤蟾妗?、《拯救大兵瑞恩》和《上帝之城》等電影。泰勒·羅斯（Tyler Roth）將采用單個序列并以多種方式對其進行評分，將他的解釋用于這些常見的要求。 

第6課：客座教授 Stu Maschwitz 從獨立電影制片人的角度審視講故事和分級技巧。 

第 7 課：評分的政治學：通過工作獲得報酬的現實是，其他人也會參與創造性的決策過程。對于剛接觸這個過程的藝術家來說，最困難的事情之一就是管理客戶的各種個性、愿望和動機。編輯莉茲·泰特 (Liz Tate) 和克雷格·萊菲爾 (Craig Leffel) 坐下來分享了他們多年來在壓力環境下工作所獲得的見解。 

第 8 課：克雷格重新開始對不太完美的源素材進行調色，如何處理未知格式的問題并關注鏡頭之間的一致性。 

第 9 課：08 班的延續，克雷格審查挑戰提交的內容。 

第 10 課：A 部分中，克雷格展示了他對新西蘭鏡頭和美工作品進行分級的方法。

在 B 部分，克雷格坐下來回答學生本學期提出的問題。